How We Meet at the Kunstmuseum Bochum: Guided Tour of Fluxus Art
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An art experience between Fluxus, sound and movement
The guided tour of Yuko Mohri & Ei Arakawa-Nash – How We Meet at the Kunstmuseum Bochum provides insights into an exhibition conceived as a large walkable installation, building on the museum's Fluxus collection. Mohri and Arakawa-Nash respond to works from the donation by Inge Baecker and transform them into a multifaceted play of performance, sculpture, sound, and spatial perception. ([kunstmuseumbochum.de](https://www.kunstmuseumbochum.de/ausstellung-veranstaltung/details/how-we-meet-yuko-mohri-ei-arakawa-nash/?utm_source=openai))
Fluxus as a living mode of thought
The exhibition situates itself in the experimental art of the 1960s, where the event, the idea, and the open process became more important than the finished work. This is precisely where the special quality of How We Meet lies: The art emerges in dialogue with space, water, electricity, apple, body, and movement. The result is not silent observation but an aesthetic experience that unfolds while walking, listening, and observing. ([kunstmuseumbochum.de](https://www.kunstmuseumbochum.de/ausstellung-veranstaltung/details/how-we-meet-yuko-mohri-ei-arakawa-nash/?utm_source=openai))
Yuko Mohri: sensitive machines and fluid systems
Yuko Mohri, born in 1980 in Kanagawa and living in Tokyo, works with sculpture, installation, and two-dimensional works. Her practice revolves around events, disturbances, and changes that respond to environmental conditions. For Bochum, her installation Moré Moré (Leaky) is particularly relevant, as it translates the leak, the dripping, and the fragile balance between control and chance into a poetic sound sculpture. ([mohrizm.net](https://mohrizm.net/cv/?utm_source=openai))
Ei Arakawa-Nash: Performance as collective encounter
Ei Arakawa-Nash has been working in New York since 1998 and has been living in Los Angeles since 2019. His performances arise from exchanges with other artists, art historians, and the audience itself. This dissolution of the boundary between onlookers and doers also characterizes the Bochum exhibition: the audience is not only a witness but part of an open artistic process. In 2026, Arakawa-Nash will also represent Japan at the Venice Biennale. ([takaishiigallery.com](https://www.takaishiigallery.com/en/archives/6248/?utm_source=openai))
What visitors can expect in Bochum
The guided tour makes visible how the exhibition mediates between the Fluxus heritage and contemporary art. Upon entering the Kunstmuseum Bochum, visitors experience a barrier-free museum situation with ground-level access, ramp, and elevator to the upper floors. The guided tour is included in the museum admission; for temporary exhibitions, a regular admission fee of 6 Euros applies, reduced 3 Euros. The museum is open on Tuesdays, Thursdays, Fridays, Saturdays, and Sundays from 10 AM to 5 PM, and on Wednesdays from 12 PM to 8 PM. ([kunstmuseumbochum.de](https://www.kunstmuseumbochum.de/))
Conclusion
How We Meet promises an intelligent, sensory, and surprising contemplation of works, where sound, performance, sculpture, and Fluxus history converge into a lively parcours. Those who want to experience art not just visually, but physically and mentally should definitely attend this guided tour at the Kunstmuseum Bochum live. ([kunstmuseumbochum.de](https://www.kunstmuseumbochum.de/ausstellung-veranstaltung/details/how-we-meet-yuko-mohri-ei-arakawa-nash/?utm_source=openai))
Official channels of Kunstmuseum Bochum:
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- Facebook: https://www.facebook.com/pages/Kunstmuseum-Bochum/133810713334185
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- Website: https://www.kunstmuseumbochum.de/
